The short answer on size

No larger size is available. The biggest Michel Simonidy edition measures 70x100 cm, and nothing above that exists in the current range. If your wall is calling for something two metres wide, this artist will not fill it today, and it is better to know that before you plan a room around a print that does not exist.

It is worth being precise about what that ceiling means. 70x100 cm is a substantial format. On a standard sofa wall, roughly 180 to 240 cm wide, a single 70x100 cm piece sits comfortably above the furniture with breathing room on both sides. The gap between what you may want and what is on offer narrows once the wall is measured honestly. A tape measure settles more debates than a bigger print does.

What to do when 70x100 is not enough

There are three honest routes. The first is to work with the largest available format and place it well. A 70x100 cm canvas hung at eye level, centred on the wall rather than on the furniture, reads larger than its measurements suggest. The second is a pair or triptych arrangement, though that only works if the compositions suit being grouped. The third is to accept that this artist may be wrong for that particular wall and choose a different work for the large format.

If the wall genuinely needs scale, consider a different artist whose work carries the room. A wide seascape such as the Seascape Sunset canvas edition was made for horizontal walls, and Art Forms in Nature on canvas handles a tall, narrow space well. For anyone still weighing format against wall size, the guide to choosing between canvas and framed poster covers how each behaves at scale. The subject matter question is separate, and what Simonidy painted most often is answered elsewhere.

Why the size ceiling exists

Print sizes are not arbitrary. They follow from the resolution of the source material and the proportions of the original composition. Enlarging a work beyond what its source can support produces softness and visible artefacts, and a large print that looks blurry up close is worse than a smaller one that looks sharp. The 70x100 cm limit reflects where image quality and scale stay in balance for these works.

There is also a practical matter of proportion. Simonidy's compositions were not painted as vast horizontal panoramas, so forcing one onto a two metre canvas would distort the very thing worth looking at. If the room is large and the wall is long, a smaller print hung with intention often outperforms a bigger one hung to fill space. The sizing guide for prints in a small living room works in reverse too, and Auvrique canvas editions lists the exact formats currently offered.