Sizing a Suzanne Valadon Print for a 120x150 Wall
A wall of this size gives you room, but room is where mistakes happen. The numbers below settle which print width and height sit right, and how much margin to leave.
For a 120x150 cm wall, choose a Suzanne Valadon print in the 80x100 to 90x120 cm range, framed. That fills roughly two thirds of the wall width, which reads as intentional. A 60x80 cm piece works only if you group it with other prints. Anything at or above full wall width will look cramped once framing is added.
The proportion rule for this wall
The common rule is that art should cover about two thirds to three quarters of the wall width below it. On a 120 cm wide wall, that means a print spanning 80 to 90 cm across. Height is more forgiving, but a piece around 100 to 120 cm tall keeps the composition from floating in empty space. A framed poster adds 3 to 6 cm per side depending on the moulding, so measure the frame, not the image.
The anxious calculation most people make is treating the wall as the limit. It is not. A 120x150 cm wall can carry a 90x120 cm print with 15 cm of margin on each side and still look generous. What it cannot carry well is a small print hung alone. A 50x70 cm Valadon on this wall will read as an afterthought unless it anchors a group. For a single statement piece, go large. The Bouquet of Flowers framed poster suits that role.
Valadon's compositions matter here too. Her still lifes and portraits are tightly cropped, with figures and objects pressed close to the edges of the picture plane. That density means a large print holds its own at scale. A sparse landscape can shrink gracefully; a Valadon cannot. Err toward the bigger size if you are torn between two.
Three arrangements that work at this size
One large print is the simplest answer, but not the only one. The wall's proportions, wider than tall, favour either a single landscape format piece or a vertical pair. Below are the arrangements that reliably work on a 120x150 cm surface, with the dimensions that make each one balance.
Before choosing, picture the wall in context. If it sits above furniture, the print width should relate to that furniture, often matching about two thirds of a sofa's length. If it is a bare wall, the print can claim more of it. Valadon's portraits carry a lot of visual weight, so a single piece is usually enough. The Portrait of Bernard Lemaire's Mother framed poster at a large size handles a bare wall on its own.
If you prefer canvas, note that a stretched canvas has no frame to add, so the printed dimensions are the final dimensions. That makes sizing slightly easier to predict. The Portrait of Bernard Lemaire's Mother on canvas in a 90x120 cm format will finish almost exactly at that size on the wall.
Arrangements for 120x150 cm
- One large print, 80x100 to 90x120 cm, centred with 15 to 20 cm margins on each side
- A vertical pair of 50x70 cm prints, spaced 8 to 10 cm apart, together spanning most of the width
- A triptych of three 40x50 cm pieces in a row, which suits the wall's wide shape
- One 60x80 cm print above a sideboard or console, sized to the furniture rather than the wall
Measuring before you order
Mark the intended footprint on the wall with painter's tape before ordering. Cut paper or tape to the exact print dimensions, including the frame, and live with it for a day. This takes ten minutes and removes nearly all the guesswork. Check the sightlines too. A print hung opposite a doorway gets read from a distance, which favours larger dimensions and bolder images.
Centre height matters as much as width. The standard is 145 to 150 cm from floor to the centre of the artwork, adjusted upward if the wall is above seating. On a 150 cm tall wall, a 100 cm tall print hung at eye level leaves a sensible band above and below. For more on how her work behaves in a room, see the piece on Valadon in a minimalist living room Valadon prints in a minimalist living room.
If you are weighing framed poster against canvas at this size, the decision usually turns on finish rather than dimensions, and it is covered fully in the guide to choosing between canvas and framed poster. Either format works at 90x120 cm. The wall will not care. The room's light and the neighbouring colours will decide more than the format will.
The wall is not the limit. The furniture, the sightline and the frame are.
| Print size | Coverage of wall width | Reads as |
|---|---|---|
| 60x80 cm | 50% | Small alone, workable in a pair or group |
| 80x100 cm | 67% | Balanced single statement |
| 90x120 cm | 75% | Full and deliberate, the safe maximum |
| 110x140 cm | 92% | Risky, little margin for the frame |
Print sizes against a 120x150 cm wall
Key takeaways
- A print of 80x100 to 90x120 cm fills a 120x150 cm wall correctly.
- Aim for the print to span two thirds to three quarters of the wall width.
- Add 3 to 6 cm per side when measuring a framed poster, since the frame extends beyond the image.
- Tape the exact footprint on the wall before ordering to remove the guesswork.
Related questions
Is 60x80 cm too small for a 120x150 cm wall?
On its own, yes. It covers half the width and will look under-scaled. It works if you pair it with a second print of the same size, hung 8 to 10 cm apart, which together span most of the wall. A single 60x80 cm piece is better saved for a smaller wall or a spot above furniture.
How much space should I leave around the print?
Fifteen to twenty centimetres on each side of a single large print is the usual margin. Less than 10 cm makes the piece look squeezed onto the wall. More than 30 cm starts to disconnect the print from its surroundings. Centre the composition at roughly 145 cm from the floor.
Does a canvas print measure differently from a framed poster?
Yes, slightly. A stretched canvas has no added frame, so the stated dimensions are the final wall dimensions. A framed poster gains the moulding width, typically a few centimetres per side. If you are working to tight margins on a 120 cm wide wall, that difference can matter, so measure the frame before committing.
Suzanne Valadon at Auvrique
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