Gifting a Mariam Aslamazian Print and Wrapping It Well

Yes, a print of her work makes a workable gift, but the wrapping decides whether it lands. Here is how to present one so it feels considered rather than handed over.

Auvrique Editorial · Fine Art Editions

The short answer

Yes. A Mariam Aslamazian print as gift is a reasonable choice for someone drawn to bold floral still lifes and warm color. Expect to spend roughly $40 to $150 for a quality reproduction. Wrap it in acid-free tissue over a flat rigid backing, then kraft paper and ribbon, and keep it flat until the day it is given.

Why the print itself is only half the gift

Mariam Aslamazian was a Soviet Armenian painter whose career ran through most of the twentieth century. She is known for saturated floral still lifes and scenes from her travels, work that reads as generous rather than difficult. That makes a reproduction an easy gift to give. The recipient does not need a lecture on the movement. They need a picture they will enjoy living with.

The honest caveat is availability. Aslamazian is not a household name in Western print markets, so editions come from specialist sellers rather than every poster shop. Auvrique does not currently carry her work, so this page is about the gift itself, not a purchase here. If the recipient is still deciding what suits their rooms, the guide to her most common subjects is a useful nudge before you commit to an image.

How to present a custom art print

Wrapping a framed print badly is the fastest way to deflate the moment. Glass or acrylic shows every crease in ordinary wrapping paper, and a torn corner on delivery day is a poor omen. The fix costs little. Flat, rigid, and layered beats elaborate every time, and the whole job takes about fifteen minutes.

Start with the print face wrapped in acid-free tissue or a clean cotton sheet, so nothing scratches the surface. Add a rigid backing, foam board or even a flattened carton cut to size, taped at the edges. Kraft paper over that, folded crisply at the corners like a parcel rather than a present. Finish with a wide ribbon in a color pulled from the painting itself. For a floral still life, a deep green or ochre ribbon does the work of a card.

Wrapping steps that hold up

Wrap the face in acid-free tissue so the surface never touches paper directly.
Sandwich the print against rigid foam board and tape the edges shut.
Cover the parcel in kraft paper with sharp, folded corners, not loose billows.
Tie a wide fabric ribbon in a color drawn from the painting itself.
Write the card by hand and tuck it under the ribbon rather than taping it on.
Keep the parcel flat and out of sunlight until it is handed over.

Making the gift feel chosen, not bought

What separates a memorable art gift from a generic one is evidence of thought. A short handwritten note explaining why you picked that particular image does more than any bow. One sentence is enough. It tells the recipient you looked at the work and thought of them, which is the entire point of the exercise.

Presentation also extends to timing. Give the print unframed and offer to frame it together, or frame it yourself if you know their taste and their walls. If they are unsure where it will live, the advice on sizing a print for a small bedroom and the piece on warm and cool toned rooms will settle the placement question without you having to guess. A gift that arrives with its own answers feels expensive regardless of what it cost.

A wrapped print is a parcel. A print wrapped in the painting's own colors is a decision.

Material	Purpose	Approximate cost
Acid-free tissue	Protects the print surface	$5 to $10 a pack
Foam board	Rigid backing against bending	$8 to $15 a sheet
Kraft paper roll	Outer wrap, folds cleanly	$6 to $12 a roll
Wide fabric ribbon	Finish, doubles as color echo	$4 to $10 a spool

Wrapping materials and what they cost

Key takeaways

A quality Aslamazian reproduction typically runs $40 to $150 depending on size and framing.
Wrap flat and layered, with tissue against the surface and a rigid backing behind it.
A ribbon in a color pulled from the painting replaces a card without losing anything.
Give unframed and frame together if you are unsure of the recipient's taste.

Related questions

Should I gift a framed print or an unframed one?

Unframed is safer unless you know the recipient's walls and taste. Framing is a matter of proportion, matting and room color, and getting it wrong on someone else's behalf is a common regret. Offer to frame it together after the gift, which turns one present into two occasions.

How do I transport a wrapped print without damaging it?

Keep it flat, never upright leaning, and never in a hot car where the backing can warp. Carry it by the rigid backing, not the frame edge. If you are traveling more than an hour, an extra layer of bubble wrap over the kraft paper is worth the small added bulk.

What if the recipient does not like the image I chose?

Buy from a seller with a clear return or exchange window, and mention it casually when you hand the gift over. That removes the pressure to pretend. Reproductions are a different market from originals, so an exchange costs the seller a print, not a painting.

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