Made to order means a waiting period, not instant shipping
A made-to-order print is built after the order lands, so the clock starts at production, not at checkout. The real question is how many stages sit between payment and the package on the doorstep.
A made-to-order Dumitru Ghiatza print delivery time is usually measured in weeks, not days. Production alone commonly runs one to three weeks before the piece leaves the workshop. Add transit time on top of that, and the full wait is typically two to five weeks from order to arrival. The range widens if the edition is larger or if the print is ordered with a frame.
What happens between order and shipment
A made-to-order print is not pulled from a shelf. The file is matched to the selected size and finish, then sent to production. That first stage is where most of the waiting happens, because the print is made after the order is placed rather than before it. A canvas print and a framed poster move through different production lines, which is why the same artist and the same deadline can produce different clocks. If you need a hard date for an event, ask the workshop for a written estimate before you pay.
The second stage is quality control and packing. A print that passes inspection is wrapped for transit and handed to a carrier. That handoff is the point where production ends and shipping begins, and it is also the point where the timeline becomes less controllable. A workshop can hit its own deadline and still lose a day or two to a carrier schedule. That is the part of the process most likely to slip, and it is the part worth planning around.
Shipping time sits on top of production time
Shipping is a separate clock from production, and the two are often confused. A print can be ready in ten days and still arrive much later if the carrier route is slow or if the destination is distant. Domestic shipments usually move faster than international ones, though the difference is a matter of degree rather than a clean split. A framed piece also travels differently from a rolled canvas, because the frame adds protection and weight and can change how the carrier handles it.
If you are working backward from a gift or an event, build in the slowest plausible path rather than the fastest one you hope for. That means treating the production estimate as the first number and the shipping estimate as a second number stacked on top of it. A canvas print ordered for a specific date is a different risk profile from one ordered without a deadline, and the difference is worth naming before the order is placed. how to choose between canvas and framed poster can help you pick the format that fits the timeline you actually have.
What changes the clock
- Production time varies by size and finish, not just by artist.
- A framed piece usually takes longer to prepare than an unframed print.
- Carrier schedules can add delay after the print leaves the workshop.
- International routes typically add more time than domestic ones.
How to plan when you have a deadline
The honest way to plan is to treat the order date as the start of a sequence, not as the day something ships. If the event is fixed, order early enough that a short delay still leaves room. If the deadline is soft, the same order carries less risk and can be placed closer to the date. The difference is not dramatic on paper, but it matters when a gift has to arrive on a specific morning.
A practical check is to ask what the workshop considers a normal production window and what it considers an unusually long one. That question is more useful than a generic promise, because it tells you whether the clock is running normally or already stretched. If you want to compare how another artist print moves through the same kind of process, how long shipping takes for a Vlaminck print is a useful parallel, since the mechanics are similar even when the artist is not.
The wait is not one delay. It is production plus transit, and the second part is the one most likely to slip.
| Stage | What it covers | Why it varies |
|---|---|---|
| Production | Print made after order | Size, finish, and workshop load |
| Quality and packing | Inspection and wrapping | Format and framing choices |
| Transit | Carrier movement to destination | Route, distance, and service level |
Typical stages and their rough weight in the total wait
Key takeaways
- A made-to-order print starts a clock at production, not at checkout.
- Production and shipping are separate stages and should be estimated separately.
- A framed piece and a canvas print can move on different timelines.
- Plan from the slowest plausible path when a date is fixed.
Related questions
Does a made-to-order print ship as soon as it is ready?
Usually yes, but readiness is not the same as immediate dispatch. Once the print passes inspection it is packed and handed to a carrier, and that handoff can still take a day or two depending on the workshop schedule. Readiness removes the production wait, but it does not erase the shipping wait.
Is a canvas print faster to receive than a framed poster?
Not necessarily. A canvas print and a framed poster move through different production steps, and the framed option often needs more finishing before it can ship. The faster format depends on the workshop and the specific piece, so the question is better asked as a production-time question than as a format question.
What should I ask if I need the print by a specific date?
Ask for the production window first, then ask how shipping is handled once the print is ready. A written estimate is more useful than a verbal promise, because it separates the two clocks and shows where the risk sits. If the date is firm, order early enough that a short delay still leaves room.
From the Auvrique collection
Made to order · Every sizeEvery size, every country, delivery included
Editions are made to order and shipped worldwide. Choose a format and a size, and the price you see is the price you pay.
View the collectionPart of our guide to how your order is made and shipped.



