Judging a Marie-Thérèse Auffray Print Before You Buy
Resolution claims are easy to make and hard to check. Here is what actually separates a faithful reproduction from a soft, recoloured copy of a public-domain painting.
A high-resolution Marie-Thérèse Auffray print should be produced from a source file of at least 300 DPI at the printed size, which means roughly 3,600 by 4,500 pixels for a 12 by 15 inch sheet. Check the stated DPI, zoom into the preview for brush texture and grain, and compare colours against the museum image of the original.
The Numbers That Actually Matter
Start with resolution, because everything else depends on it. A print needs a source file of around 300 DPI at the size you are buying. A 24 by 30 inch canvas therefore needs roughly 7,200 by 9,000 pixels of real image data. Sellers who upscale a small file to hit that number produce a print that looks acceptable from across the room and falls apart at arm's length. Ask what the native scan resolution is, not the output resolution.
The second number is the colour profile. Faithful reproductions are printed in a wide-gamut profile and soft-proofed against a reference image of the original. If a seller cannot say what profile they use, that is an answer in itself. For a painter working in the decades around the Second World War whose originals sit mostly in private and regional collections, the reference image is often the best available record, so its quality sets a ceiling the print cannot exceed. When comparing sellers, our guide to buying her work for a living room covers where the best source files come from.
What to Check in the Preview
Zoom to 100 percent on the product image and look for three things. Brush texture, canvas weave or paper grain, and edges that hold their shape. A low-resolution source shows smeared highlights, plastic-looking skin tones and halos along contours. Recolouring is the other common fault. Over-saturated skies and skin that has drifted toward orange usually mean someone ran the file through automatic enhancement rather than matching it to the original.
Then compare against an independent reference. Public-domain paintings are usually documented by the holding museum or archive, and that image is your ground truth for colour and composition. If the seller's version is noticeably warmer, brighter or more contrasted, the reproduction has been adjusted. This matters more with less-documented artists, where a bad scan can become the version everyone copies. The same checks apply whether you buy a framed poster or a canvas, and our comparison of the two formats explains how each handles detail differently.
Red Flags and Reasonable Assurances
Some distrust is warranted. Print-on-demand marketplaces list thousands of titles, and the person selling often has never seen the file at full size. Warning signs include product images that are watermarked or heavily compressed, no stated DPI, no return policy for print quality, and listings that use the same generic description across many artists. None of these proves a bad print, but together they shift the odds against you.
Reasonable assurances look different. A seller who names the source archive, states the native resolution, prints on demand rather than from stock, and accepts returns on quality grounds is telling you the process can bear scrutiny. Price is a weak signal in both directions. A cheap print can be faithful, and an expensive one can be an upscaled JPEG. Judge the process, not the number. For sizing choices that affect how much detail you actually see, see our guide to print sizes for smaller rooms on matching scale to wall space.
An expensive print can still be an upscaled JPEG. Judge the process, not the price.
| Print size | Minimum pixels | What failure looks like |
|---|---|---|
| 12 x 15 in | 3,600 x 4,500 | Soft edges on close viewing |
| 18 x 24 in | 5,400 x 7,200 | Smeared brushwork, halos |
| 24 x 30 in | 7,200 x 9,000 | Visible pixel steps, plastic tones |
Minimum source pixels by print size at 300 DPI
Key takeaways
- Insist on a native source resolution of about 300 DPI at the size you are buying, not an upscaled output figure.
- Zoom into the preview at 100 percent and look for brush texture, grain and clean edges.
- Compare the seller's colours against the museum or archive image of the original before buying.
- Treat price as a weak signal and the seller's stated process as the real evidence of fidelity.
Related questions
What DPI should a fine art print be?
Around 300 DPI at the final printed size is the working standard for art reproduction. Below roughly 150 DPI the loss becomes visible at normal viewing distance. Be aware that some sellers quote the printer's mechanical DPI, which is far higher and says nothing about the source file. Always ask for the image resolution in pixels.
Can I check print quality before ordering?
Partly. Zoom into the product preview at full size, request the file's pixel dimensions, and compare colours against the reference image from the holding museum or archive. What you cannot verify from a screen is the paper or canvas and the inks, which is why a returns policy tied to print quality is worth more than any product photo.
Why do copies of the same painting look so different between sellers?
Most public-domain artworks circulate as scans of varying age and quality. Each seller starts from a different file and applies its own colour adjustments, so versions drift toward warmer, brighter or more contrasted renditions. The image published by the museum or archive holding the original is the most reliable reference for judging which version is faithful.
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