Hanging a Friedel Dzubas Print Without a Kit

A large color field print can go up safely with ordinary hardware, but only if the weight lands on the wall and not on the print itself. Here is what actually holds, what fails, and the order of operations.

Auvrique Editorial · Fine Art Editions

The short answer

Yes, in most cases. A framed print under roughly 5 kg hangs reliably on a single wall anchor or a picture hook rated for twice its weight, and a canvas on a stretcher bar sits on two screws or a French cleat. The kit is a convenience, not a requirement. What matters is fixing into studs or using anchors rated for the load.

What the wall has to carry

Start with weight, not with hardware. A framed print behind glass is the heavy case; a 60x90 cm frame can pass 4 kg easily, and larger formats climb past 7 kg. A canvas print on wooden stretcher bars is far lighter, often under 2 kg at comparable size. Dzubas's broad fields of saturated color reward large formats, so assume you are in the heavier range before you buy anything.

The rule of thumb is simple. Fix into a wall stud or masonry wherever possible, and if you cannot, use an anchor rated for at least double the load. Drywall alone holds almost nothing over time. A screw at a slight upward angle into a stud, or a proper expansion anchor into brick, will outlast any adhesive hook by years. Adhesive strips are fine for small unframed paper prints and wrong for anything glazed.

A working sequence for mounting

The method for how to mount a Friedel Dzubas print on the wall barely changes between framed and canvas. Mark the height first, find your fixing point second, and only then touch the print. Because his compositions are large, flat sweeps of color with no central figure, the hanging height matters more than it would for a portrait. Eye level, around 145 cm to the center of the work, is the honest default.

Framed editions usually arrive with a wire or D-rings already fitted, which is why a basic hook often does the whole job. Canvas editions without a frame sit flush against the wall on two screws under the bottom stretcher bar, or on a cleat if you want them floating. If you are still deciding between the two formats, the tradeoffs are laid out in choosing between canvas and framed poster, and the general mechanics are the same as for a canvas edition on stretcher bars.

Tools and steps

A tape measure, a pencil, and a spirit level, nothing fancier
A drill with masonry or wood bits matched to your wall
Wall anchors or studs rated for at least double the print weight
Two fixing points for canvases, one hook or wire for framed prints

Protecting the print while you work

The print itself is almost never what fails. Frames fall because the hook pulled out, and canvases dent because a corner met a doorframe. Carry any glazed frame vertically, never flat, and keep your hands on the frame rather than the glass. With a Dzubas, a corner ding reads as a hard edge cutting across a soft field, which is why the damage shows more than it would on a busier image.

Two small habits prevent most of it. Rest the print face-up on a blanket while you drill, not leaning against the wall where it can slide. And test the fixing by pressing down on it with your hand at roughly the hanging load before you commit the work to it. If you are comparing how different formats behave once up, hanging a canvas print directly on the wall covers the flush case, and displaying a framed poster in a small apartment covers tight rooms. The same logic applies to a framed piece like a framed poster edition.

The kit is a convenience. The wall is the hardware.

Format	Typical weight at 60x90 cm	Minimum fixing
Framed print behind glass	4 to 7 kg	Stud screw or anchor rated 10 kg plus
Canvas on stretcher bars	1 to 2 kg	Two screws, or one per cleat rail
Unframed paper print	Under 0.5 kg	Adhesive strips acceptable, two minimum

Load guide by format

Key takeaways

Yes, a hanging kit is optional for most Dzubas print sizes if your wall fixing is rated for the load.
Weight the frame, not the print. Glass and framing account for nearly all of it.
Fix into studs or masonry where you can, and rate anchors at double the load where you cannot.
Hang so the center of the work sits near 145 cm, which suits his large flat color fields.

Related questions

Can adhesive strips hold a large framed print?

For a glazed frame over about 2 kg, no. Adhesive strips fail slowly, and a large frame gives them a long lever arm to work against. They are reasonable for small unframed paper prints. For anything framed, use a hook into a stud or an anchor rated for twice the weight.

Do I need two hanging points for a canvas print?

Yes, for anything wider than about 40 cm. Two screws under the bottom stretcher bar, or two points on a French cleat, keep the canvas flat against the wall and stop it rocking. A single center fixing lets a light canvas tilt every time a door closes nearby.

What height should a large abstract print hang at?

Center the work around 145 cm from the floor, the standard gallery height. With a Dzubas in particular, the composition has no single focal point, so the work reads as a field. Too high and it floats away from the room; too low and it competes with the furniture.

From the Auvrique collection

Made to order · Every size