Charles Rennie Mackintosh Products

Pine Cones, Charles Rennie Mackintosh
Two pine cones drawn by Charles Rennie Mackintosh, built from pale washes and fine pencil. A quiet study in muted colour that steadies a room without filling it. Read more...
Landscape, Charles Rennie Mackintosh
A watercolour landscape by Charles Rennie Mackintosh, reproduced at full sheet scale. Rolling fields, ruled hedgerows and a wide sky, held in moss green and pale gold. Read more...
Pine Cones, Charles Rennie Mackintosh
Two pine cones drawn by Charles Rennie Mackintosh, each scale a stepped geometric unit. At full size the drawing gains the presence of architecture, holding a wall with pencil line... Read more...
Petunia, Walberswick, Charles Rennie Mackintosh
A single petunia held in stillness, painted at Walberswick. Mauve and rose against pale ground. A quiet focal point that gives a room one clear place to rest the eye. Read more...
Petunia, Walberswick, Charles Rennie Mackintosh
A single petunia in watercolor, painted at Walberswick. Mauve and violet petals against a pale ground. At full size it reads as a quiet statement, not a decoration. Read more...
Fetges, Charles Rennie Mackintosh
A late watercolour by Charles Rennie Mackintosh, reproduced as a framed edition. Fetges brings southern French mountain light into a room, quiet at first glance and generous the longer it... Read more...
Willow Herb, Buxstead, Charles Rennie Mackintosh
Mackintosh's Willow Herb, Buxstead as a canvas edition. A slender botanical study that quiets a room and rewards a second look every day. Read more...
Venetian Palace, Blackshore on the Blyth, Charles Rennie Mackintosh
Mackintosh's Venetian palace on the Suffolk tide. A quiet watercolor in ochre and rose that brings dusk light and still water into a room without asking for attention. Read more...
Willow Herb, Buxstead, Charles Rennie Mackintosh
A botanical study by Charles Rennie Mackintosh, drawn with pencil and pale wash. On the wall it reads as quiet structure, a single stem given the authority of architecture. Read more...
Venetian Palace, Blackshore on the Blyth, Charles Rennie Mackintosh
A watercolor of a Venetian facade rising from the Suffolk tidal Blyth. Ochre masonry, loose reflections, a pale sky. It quiets a room the moment it is hung. Read more...
Le dessin de Mackintosh de la House for an art lover, Charles Rennie Mackintosh
Charles Rennie Mackintosh's architectural drawing for the House for an Art Lover, reproduced on canvas. A pale facade, tall iron balconies and one deliberate curve, drawn in pencil and ink. Read more...
Le dessin de Mackintosh de la House for an art lover, Charles Rennie Mackintosh
Mackintosh's drawing for the House for an Art Lover, rendered as a fine art edition in a slim frame. Pale lines, tall windows, and a quiet gravity that steadies a... Read more...
Music Room, Charles Rennie Mackintosh
A pale interior drawn in thin lines, built around a square piano and a lattice of small squares. On a wall it quiets a room and gives it structure. Read more...
The Descent Of Night, Charles Rennie Mackintosh
Charles Rennie Mackintosh's The Descent Of Night as a canvas edition. Deep indigo bands over a pale horizon, rendered with the calm of late watercolour. A quiet, cold-toned work for... Read more...
Music Room, Charles Rennie Mackintosh
A quiet interior by Charles Rennie Mackintosh, drawn in thin lines and pale washes. Lilac, silver grey and ivory. It brings stillness to a room without dimming it. Read more...
The Descent Of Night, Charles Rennie Mackintosh
Charles Rennie Mackintosh's The Descent Of Night in a framed fine art edition. Indigo bands settle over a pale horizon and give a room its quietest hour. Read more...